LUSTRE

Lustre Program

-Lustre Workflow

• Image Processing Pipeline

• Setting Up Users and Projects

• Monitor Calibration

• Applying Print LUTs

• Editing

• Rendering Proxies

• Removing Dust

• Repositioning Shots

• Applying Input LUTs

• Colour Grading

• Using Sparks

• Animating Colour Effects

• Outputting the Result

-Interoperability Workflows in Lustre

• About Source Grading and Sequence Grading

• Basic Interoperability Workflow

  • Important Source Grading Considerations

  • Saving a Sequence for Grading in Lustre

  • Importing the Sequence from Flame

  • Displaying and Editing the Sequence in Lustre

  • Rendering and Exporting in Lustre

    • Proxy Rendering

• Advanced Interoperability Workflows

  • RAW Media Interoperability Workflow

  • ProRes Interoperability Workflow

• Detailed Workflow

• Exploding the Lustre Node

• Rendering the Batch Effects

• Setting Up a Dual DVI Configuration

• SDI Preview in a Dual Application Workflow

• Disabling Automatic SDI Switching

• Connected Colour Workflow Considerations

-Project Management

• Configuring System Settings

• Project Configuration

• Project Configuration Settings

• User Configuration

• User Configuration Settings

• Loading Users and Projects

• Working With Scenes

• Working with Cuts and Grades

• Setting Up the User Interface

• Working with Templates

-Basics

• Starting and Exiting Lustre

• Understanding the Lustre User Interface

• Resetting Parameters

• Bypassing Menu Parameters

• Undoing and Redoing Actions

• Confirming and Cancelling Actions

• Assigning Notes to Shots

• Flagging Shots

• Creating Shot Groups

• Copying Parameters with the Selector

• Copying and Pasting Grading Parameters Between Grading Stages

• Assigning Values With the Standard Lustre Calculator

• Using Grade Bins

• Using the Expanded Grade Bin

• Using Audio

• Using Text

-Calibration and Working Space

• Logarithmic and Linear Colour Spaces

• Using the ACEScc and ACEScct Colour Spaces

• Monitor Calibration Workflow

• Adjusting Black Level and Picture Settings

• Selecting the Project Colour Space

• Calibrating a Monitor

• Calibrating for Dual-Head Mode

• Applying LUTs for Viewing (Print LUTs)

-Browsing for Footage

• Natively Supported Media File Formats

• Wiretap Gateway Supported Media File Formats

• MediaReactor Support

• GPU RAW Media Decoding

• End-to-end 4K and UltraHD Support

• Accessing the File Browser

• Loading Clips to the Library

• Matching Shots

-Transcoding

• Transcode Workflow

• Transcode Options

• Transcode Format Settings

• Transcode Colour Settings

• Transcode LUT Options Settings

• Transcode Resize Options

• Transcode Output Settings

• Transcode Versioning

• Transcoding Template

-Conform

• Working with EDL, ALE, and Cutlist Files

  • EDL Display and Functionality

  • EDL and Keycode Assembly Workflow

  • Example of a Possible CDL Workflow

  • Adding CDL Data to an EDL File

  • Importing an EDL, ALE, or Cutlist File

  • Stereo 3D Data in EDL Conform

  • Stereo 3D Post Render Shift Data in EDL Conform

  • Assembling an EDL

  • Match Grade

  • Exporting Shots to an EDL

  • Keycode Assembly

  • Metadata Maintained for Missing Shots

• Colour Decision List (CDL)

  • CDL Menu

  • CDL Parameters in the Selector

  • Loading CDL Data in the EDL Panel

  • CDL Grading Using the Keypad

-Editing

• Representing the Timeline

• Accessing the Edit Menu

• Editing with the Storyboard

• Trimming from the Edit Menu

• Changing Playback Speed

• Replacing Shots

• Creating Dissolves

• Adding a Virtual Black Clip using the Storyboard

• Multi-Layer Timeline

• Editing in the Timeline

• Working With Containers, Matte Containers and Multi-channel Clips

• Trimming Elements

• Transitions

• Displaying the Multi-Layer Timeline

• Rendering the Timeline

• Modifying the Timeline’s Starting Record Timecode

• Performing a Confidence Check

• Using Scene Detection

-Playing, Viewing, and Sorting Shots

• Playing Shots

• Viewing Reference Images

• Lustre Second Screen

• Panning and Zooming the Image

• Setting Image View Options

• Navigating through Shots

• Storyboard Viewing Options

• Setting the Viewing Options

• Timeline Sort Mode

• Caching Frames to Memory for Real-Time Playback

• Player Hotkeys

-Removing Dust

• Preparing for Dust Removal

• Removing Dust Manually

• Removing Dust Automatically

• Single Frame Dust Removal

• Working with Boxes

• Infrared Channel Dust Detection

• Options for Saving and Loading Dust Removal Metadata

• Rendering the Result

-Removing Grain

• Analysing the Frame

• Viewing the Result

• Working with Sub-Region Boxes

• Post-Analysis Clean-Up

• Caching the Result

• Removing Grain with Secondaries

• Copying Degrain Information

• Saving and Loading Degrain Presets

-Repositioning Images

• Adjusting the Frame Aspect Ratio

• Accessing the Reposition Menu

• Reframing an Image

• Flipping or Flopping a Shot

• Tracking Repositioned Shots

• Animating Reposition Values

• Setting Rendering Quality

-Input LUTs

• Accessing the Input LUT Menu

• Importing a LUT File

• Applying an Existing Input LUT

• Linear Mode: Creating Conversion LUTs

-Colour Grading Basics

• Colour Grading Workflow

• Colour Grading Concepts

• Accessing Colour Grading Menus

• GPU Acceleration

• Colour Grading With the Control Surfaces

• Viewing Multiple Shots

• Reference Images

• Viewing Proxies

• Analysing the Image

• Saving and Loading Presets Using the Presets Lists

• Colour Grade Animation

• Grade Bin Storage

• Colourist Multi-Layer Timeline

-Primary Colour Grading

• Accessing the Grading Menu

• Logarithmic Mode: Modifying the Brightness

• Logarithmic Mode: Improving Contrast

• Linear Mode: Selecting Levels of the Image

• Linear Mode: Modifying Lift

• Linear Mode: Modifying Gain

• Linear Mode: Modifying Gamma

• Linear Mode: Modifying Saturation

• Linear Mode: Modifying Contrast

• Linear Mode: Setting Black Clip and White Clip

• Matching Colours

• Autograding Shots

– Colour Grading RGB and Hue Curves

• Accessing the Curves Menu

• Plotting Colour Values when Adjusting Curves

• Modifying Red, Green, and Blue Channels

  • Modifying Hue, Saturation, Luminance, and Lightness

    • Shifting Hue

    • Saturating and Suppressing Colours

    • Modifying Image Luminance

    • Modifying Image Lightness

– Secondary Colour Grading

• Accessing Secondary Grading Menus

• Secondary Layers

• Colour Grading Secondaries

• About Geometries

• Accessing the Geometry Controls

• Drawing Basic Geometries

• Drawing Free-Form Geometries

• Modifying Geometries

• Adding a Split Screen

• Adding and Deleting Axes

• Changing the Priority Order of Geometries

• Showing and Hiding Geometries

• Inverting Geometries

• Deleting Geometries and Resetting Secondaries

• Linking Geometries across Secondary Layers

• Creating a Secondary by Keying a Range of Colours

• Saving and Loading Key Presets

• Working with Mattes

• Shape Tracker

• Animating the Point Tracker

• Loading Tracker and Stabilizer Data from Autodesk Applications

• Loading Garbage Mask Setups from Autodesk Applications

-Creating Lustre Sparks Effects

• Installing Lustre Sparks Plugins

• Lustre Sparks Plugin Descriptions

• Creating an Effect with a Lustre Sparks Plugins

• Disabling and Re-enabling Lustre Sparks Plugins

• Developing Lustre Sparks Plugins

– Animation

• Accessing the Channel Editor

  • Animation Curves Window

  • Channel Hierarchy

  • Animation Controls

  • Animation Options

• Animating with Keyframes

  • Selecting Channels

  • Adding Keyframes

  • Setting Interpolation

  • Setting Extrapolation

• Editing Keyframes

  • Selecting Keyframes

  • Modifying Your Animation

  • Synchronizing Keyframe Functionality

  • Breaking Tangent Handles

  • Resetting Tangent Handles

  • Hiding Tangent Handles

  • Applying Curve Functions to Keyframes

  • Deleting Keyframes

• Copying and Pasting Keyframes

  • About the Copy/Paste Keyframe Controls

  • About Copy/Paste Keyboard Shortcuts

  • Copying and Pasting Keyframes on the Current Frame

  • Copying and Pasting All Keyframes in a Shot

  • Copying and Pasting a Selection of Keyframes

  • Copying and Pasting Over a Selection of Keyframes

  • Pasting a Keyframe Sequence That Exceeds a Shot Boundary

  • Guidelines for Geometries, Point Trackers, and Effects Plugins

• The Track Editor

  • Accessing the Track Editor

  • Selecting Tracks

  • Adjusting Animation Timing

  • Adjusting Animation Scaling

• Animating in Other Menus

• Undoing and Redoing Operations

-Stereoscopy

• Creating a Stereoscopic Project

  • Enabling Stereoscopy

• Setting Up the Stereoscopic Footage

  • Assembling a Stereoscopic EDL

  • Repositioning the Left Eye and Right Eye

• Using the Floating Window

• Viewing From One Eye to the Other

  • Viewing Stereoscopic Footage in Dual View

• Synchronizing the Left and Right Eye

• Editing the Stereoscopic Timeline

• Grading Stereoscopic Footage

  • Working with Grade Files

  • Bypassing Menu Parameters of an Eye

• Rendering Stereoscopic Footage

-Rendering

• Rendering Shots

  • Specifying the Shots to Render

  • Setting the Resolution for the Render

  • Resizing Shots

  • Specifying the Destination for Local Render Files

  • Rendering the Multi-Layer Timeline

  • Rendering Dust Metadata

  • Burning Timecode into the Render

  • Rendering with the Viewing LUT

  • Rendering Head and Tail Frames

  • Specifying the Output Format of the Render Files

  • Setting Colour Space Options

    • Specifying the Output Colour Space

  • Rendering the Selected Region

• Generating and Viewing Proxies

  • Generating Proxies for Matte Media in Multi-Channel Clips and Matte Containers

• Locking Colour Grading

• Cleaning Up Render Files

• Rendering Shots as You Work

  • Using Multiple ShotReactor Servers

• Rendering with Burn for Lustre

  • Remote Rendering with Burn and Wiretap

  • Starting Backburner Manager

  • Submitting a Remote Render Job

  • Monitoring the Render Tasks with Backburner Monitor

  • Command Line Renderer

• Rendering Grades Created in Releases Prior to Lustre 2011 Extension 1

• About Lustre Reactor

  • Matte Rendering

  • Supported Configurations

-Media Export

• The Format Options Tab

  • Format Options Tab – Video Settings

  • Format Options Tab – Audio Settings

• The Resize Tab

• The LUT Options Tab

• Export Versions

• Using Export Templates

• Export Workflows

• Stand-Alone Wiretap Gateway Server Configuration for Media Encoding

-Video Capture and Video Playout

• About Audio Tracks

• Capture Menu Options

• Controlling the VTR

• Capturing Material

  • Selecting a Raster for Capture

  • Removing Pulldown when Capturing

  • Setting In and Out Points

  • Capturing from Timecode

  • Capturing Media with Timecode Breaks

  • Logging and Batch Digitizing

  • Auto-conforming an EDL

  • Performing a Live Capture from a Non-Controlled Source

• Playout Menu Options

• Playing Out to a VTR

  • Playout Workflow

  • Selecting a Raster for Playout

  • Defining In and Out Markers when Playing Out to Tape

  • Recording in Insert Mode

  • Recording in Assemble Mode

  • Recording in Record Mode

  • VTR Emulation

• Writing Telecine-Style Tape

• Playout and GPU Acceleration

  • Creating Real-Time Deliverables from the Timeline or Rendered Material

  • Playout from Timeline with GPU Acceleration

• About 3:2 Pulldown

• Converting Logarithmic to Linear

–Audio

• Audio Workflow

• Importing an Audio File

  • Importing Audio From Wiretap

• Capturing an Audio File

• Playing Back Audio with the Timeline

  • Audio Monitoring Options

  • Offsetting the Audio File

  • Sync Options

• Playback Using the LTC Chase Option

  • Use Explicit Timecode

• Playout of Audio and Video

-Working with Wiretap

• Working with Wiretap Timelines

• Wiretap Timelines and Soft-Imported Media

• Wiretap Timelines and Wiretap Gateway Media

• Optimising Wiretap Playback Speed

• Rendering to Wiretap

• Points to consider before working with Wiretap

• Supported Filesystems and Media Types

• Sample Workflows

• Preparing the Wiretap Timeline for Lustre

• Configuring Wiretap and Lustre

• Setting Up the Lustre Wiretap Project

• Browsing for Remote Footage

• Importing the Wiretap Timeline

• Dust Bust and Marry Grade

• Working with Soft-Imported Media

• Working with Stereoscopic Wiretap Timelines

• Rendering Shots

-Keyboard Shortcuts

• Storyboard Navigation

• View Modes

• Timeline Sort Modes

• Notes

• Calculators

• Dust Removal

• Grain Removal

• Editing

  • Global Editing Shortcuts

  • Edit Menu Shortcuts

  • Timeline Menu Shortcuts

  • VTR Capture & Playout Menu Shortcuts

• Colour Grading

  • Global Colour Grading Hotkeys

  • Grade Bin Hotkeys

  • Expanded Grade Bin Hotkeys

  • Secondary Layers Hotkeys

  • Curves Menu Hotkeys

  • Secondaries Menu Hotkeys

  • Timeline Menu Hotkeys

• Numeric Keypad

  • Colour Menus Grading and Secondaries

  • Curves Menu — Hue, Lightness, Saturation and Luminance

  • Editing Menu Edit

  • Editing Menus—Capture and Playout

• Stereoscopy

• Animation

• Colour Management

• Control Panel

• CDL

• Miscellaneous Functions